Themes of Contemporary Art Visual Art After 1980 Pdf Free

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New to this Edition
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Tabular array of Contents

Clarification

Themes of Gimmicky Art: Visual Art after 1980, Fifth Edition, offers students and readers an introduction to recent art. The primary focus is an test of themes that are widespread in gimmicky artistic practice. Private capacity analyze thematic content in viii groupings: Identity, The Trunk, Time, Memory, Place, Linguistic communication, Science, and Spirituality. These viii thematic categories provide a pregnant sample from which readers can grasp influential concepts that stretch beyond much of the art of our time. Profiles of central artists and works enhance student understanding of these major themes and the individual approaches and key movements in the globe of contemporary art.

New to this Edition

New discussions on global artists and on artistic responses to climate change
Two new Artist Profiles - Hito Steyerl (Affiliate 1) and Ragnar Kjartansson (Chapter 4)
A significant expansion of the treatment of digital art and issues surrounding the digitalization of culture and society

Features
About the Author(due south)
Reviews

Features

Thematic organization allows students to make connections between a broad ranging option of artists, styles, and media, offering a rich visual program complementing a detailed text.
Diverse and global coverage is highly relevant and reflects today'due south global art world.
Discussions of both history and process entreatment to both studio fine art and history history majors.

About the Writer(south)

Jean Robertson is Chancellor's Professor Emerita of Art History at Indiana University, Herron Schoolhouse of Art and Design, IUPUI. Other books co-authored with Craig McDaniel include Spellbound: Rethinking the Alphabet (Intellect and University of Chicago Press, 2016); and Painting equally a Language: Cloth, Technique, Form, Content (Harcourt, 2000). She is pb co-author with Deborah Hutton of The History of Art: A Global View (Thames & Hudson, 2022).

Craig McDaniel is Professor Emeritus of Fine Arts at Indiana Academy, Herron School of Art and Blueprint, IUPUI. In improver to volumes co-authored with Jean Robertson, McDaniel has published essays on fine art and civilization, about notably a series of articles that reevaluates the practice of painting and the achievements of primal painters. In addition to participating in exhibitions of his own art, McDaniel has curated over fifty exhibitions of contemporary fine art past others.

Scott Contreras-Koterbay (guest author) is Professor in the Department of Art & Design, adjunct professor in the Department of Philosophy & Humanities, and Director of the Bert C. Bach Fine & Performing Scholars in the Honors College at Eastward Tennessee State University. He is co-author with Lukasz Mirocha of The New Aesthetic and Art: Constellations of the Postdigital (Instituut voor Netweerkcultuur, 2016).

Reviews

"Themes of Gimmicky Art, 5th Edition, is one of the best introductions to the thematic artistic concepts that go on to create the varied field we telephone call "contemporary art." The chapters on identity, retention, and fourth dimension are peerless in an introductory text such equally this." - Jae Emerling, University of North Carolina, Charlotte

"This is the all-time textbook for contemporary art, because it is upwardly to date, and is thematic. Its strong points include the summaries of dumbo mail service-structuralist and art theories; the artist profiles; and discussion of key works in a affiliate. The book has been useful for students by providing a theoretical and historical context for contemporary works since 1980." - Lisa Lipinski, George Washington Academy

Contents
PREFACE

INTRODUCTION
Themes of Gimmicky Art: What, Why, and How
A Cursory Orientation

Chapter ONE
The World Changes, The Fine art World Expands
Overview of History and Fine art History: 1980-2020
Traditions Survive, New Trends Get in
Globalization
Theory Flexes Its Muscles
Touch on of the Digital*
Social Feel as Art
Art Meets Contemporary Culture
Artists Respond to the Anthropocene
Contour: Hito Steyerl*

CHAPTER TWO: Identity
A Focus on Identity in Art History
Identity Is Collective and Relational
Identity Politics
Otherness and Representation
Essentialism Versus Diverseness
Authenticity and Hybridity
Identity Is Constructed
Deconstructing Difference
The Fluidity of Identity
Synthetic Identities
Fictional Identities
Are We Mail service-Identity?
PROFILE: Shirin Neshat
Profile: Ryan Trecartin and Lizzie Fitch

CHAPTER THREE: The Body
Past Figurative Art
Performing Bodies
The Body Cute
Grotesque Bodies
The Trunk Is a Battleground
Sexual Bodies
Gazing at Bodies
Mortal Bodies
Classifying Humans in the Genomic Age
Posthuman Bodies
PROFILE: Renée Cox
PROFILE: Zhang Huan

Affiliate FOUR: Fourth dimension
Changing Views of Fourth dimension
Fourth dimension and Art History
Time equally a Medium
Live Art
Flick and Video
Process Art
Exploring the Structure of Time
Counting and Measuring Fourth dimension
Reordering Time
Profile: Hiroshi Sugimoto
Profile: Ragnar Kjartansson

CHAPTER V: Retention
Retentiveness and Fine art History
The Texture of Memory
Retentivity Is Emotional
Memory Is Unreliable
Memory Is Multisensory
Strategies for Representing the Past
Displaying Show
Reenacting the Past
Fracturing Narratives and Reshuffling Memories
Storehouses of Retentivity
Revisiting the Past
Recovering History
Rethinking History
Reframing the Present
Commemorating the Past
Profile: Christian Boltanski
Contour: Brian Tolle

CHAPTER SIX: Place
Places Have Meanings
Places Take Value
Looking Out for Places
Art History'south Influence
Representations of Space
(Near) Works of Art Be in a Place
What's Public? What'due south Private?
Dislocation
Fictionalized Places
PROFILE: Turbine Hall at Tate Modern
PROFILE: Andrea Zittel

CHAPTER SEVEN: Language
Art and Words: A Quick History
Contempo Theories of Language
Reasons for Using Language
Language Makes Meaning
Linguistic communication Takes Course
Transparency and Translucency
Spatiality and Physicality
Books Made by Artists
Wielding the Power of Language
Against the Challenge of Translation
Communication in the Digital Historic period*
Text and Ability
Text as Digital Textile
Profile: Nina Katchadourian
Contour: Janet Cardiff and George Bures Miller

Chapter EIGHT: Science
What Is Science?
Artists as Amateur Scientists
Artists Prefer Scientific Tools and Materials
Creole Technologies
Bio Fine art
The Visual Civilisation of Scientific discipline
Scientific Imaging and Art
Deconstructing the Visual Culture of Science
Scientific Displays and Archives
Science in Popular Culture
The Ideology of Scientific discipline
Changing Paradigms of Science
Is Science Running Amok? Activist Art Responds
Is Nature Natural?
The Anthropocene: Climate change and More
PROFILE: Patricia Piccinini
PROFILE: Eduardo Kac

Chapter 9: Spirituality
Spirituality and Religion
Enchantment
A Short History
Religious Iconography
Spiritual Forms and Materials
Mingling the Sacred and the Profane
Sacred Spaces and Rituals
Finding Religion and Harboring Uncertainty
Facing Death, Doom, and Devastation
Art and Transcendence
PROFILE: Bill Viola
Contour: José Bedia

Selected Bibliography
Credits
Alphabetize

*Sections authored by Scott Contreras-Koterbay